October 1995:
A Close Up on Master Instructor Toshiro Nagato
by Ilan Gattegno
In 1988, he is a newcomer to ninjutsu, relatively speaking, but he is already
ranked as a ninth dan in Bujinkan Dojo Ninpo Taijutsu. Every time master
Masaaki Hatsumi leaves Japan to teach a seminar, he is at his side, like a
bodyguard. He looks the part. A giant, well-muscled man - the type of person
you would hire as a bouncer if you owned a night club.
His muscle makes you fear him, but when he's moving, it seems that he does
not use his strength at all. He moves so gently and smoothly, that it becomes
difficult to tell whether he's fighting or dancing.
Shihan Toshiro Nagato does not share the enthusiasm that others have about
his rank. To them he occupies a lofty perch, but he still considers himself a
beginner - still learning all the time. To him, ten years of ninjutsu is
nothing to write home about.
The 40-year old ninjutsu master teacher started his life as a martial artist
when he was eight. Like most Japanese school children, he took part in the
compulsory judo lessons that are as much a part of the educational system
there as gym classes are to American children. The young Nagato enjoyed his
judo training, and his unusual size and strength helped him win third place
in the Kodokan tournament for junior high school students.
Nagato is very tall for a Japanese man and his size drew him to participate
in the sport of Japan's larger class - Sumo - but at 22 decided to abandon
the field completely. Sumo was not for him. He went on practicing judo for
several more years and qualified for his fifth dan.
As far as Nagato was concerned, this was to be the end of his career as a
judoka, but the Kodokan masters thought differently. They decided to send
Toshiro to the U.S. to teach judo at the University of Ontario in Oregon.
While teaching there he was also studying, all the while dreaming of
something else. He had heard the name of the budo master, Masaaki Hatsumi
and, while in the states, had read Andrew Adam's book Ninja: The Invisible
Assassins. Nagato wanted to be a true martial artist not just a judoka, and
ninjutsu seemed the way to go. He decided then and there that when he
returned to Japan, he would seek out this art. Things didn't quite work out
the way Nagato had planned as circumstances led him into the professional
kickboxing ring. He began entering competitions in Tokyo to earn badly needed
money.
Where size had always been his ally, it now became his adversary. A giant at
90 kg (about 195 pounds), he was far heavier than any established division in
Japan. He then undertook a strict diet that would eventually drop him to 72.5
kg still the heaviest division for competition. In three major events in
Korakuen Halls, he won all his fights - all by knock-out. These victories
made him champion of the shin-jin - the newcomers. Despite his victories
kickboxing was no fun for Nagato. "Too much beating up, too bad for the
health... bad for my face and also it was not a martial art." Before he began
to explore ninjutsu, Nagato felt that he had to get out of Japan. Having been
in Oregon, he knew that there were places in the world that offered less
stress than Japan. Kickboxing had been a way for Nagato to release some of
that stress, but now that he was through with that sport, he felt he needed a
change of atmosphere.
A friend in America, Michael Echanis, a former Green Beret, invited him over
and he accepted. Echanis, a professional soldier and Vietnam veteran, wanted
to learn the martial arts from Nagato. Echanis said there was a job waiting
for him at the Special Forces camp in North Carolina. "They wanted me to be a
Green Beret, and when there was a mission for everybody in South America,
they asked me to join them. I felt wrong about it and I told them that I
wasn't interested. Something in me said, 'Danger'".
Unfortunately, Nagato's feelings about the mission were well founded. While
in South America, the plane crashed and all aboard were lost. "There was a
feeling inside me that told me not to go," said Nagato. "It convinced me that
it was time to go back and find the true martial arts teacher".
Nagato found Hatsumi in Noda City. Ninjutsu was completely different from
anything he had yet experienced in the martial arts. "It wasn't a sport, but
I was glad because I didn't want to fight any more. I didn't go there to
fight. Lately, though, I feel that I miss the fighting a little bit, but it's
nothing".
Hatsumi immediately saw talent when Nagato came to him. He saw the man's
fighting spirit right away. There is no wonder in this, however, as
street-fighting was common in the neighborhood that Nagato grew up in. His
background in judo and kickboxing was a big asset as well. Nagato rose
through the ranks like a rocket. He put a lot, into his training and, before
he knew it, he was a master teacher.
Nagato teaches a handful of students in a small, family-like dojo. Most of
his people are Japanese, but he does have a few foreigners under his
tutelage. Robert Bussey of Nebraska was his student for a while and was
graded a fourth dan by the time he returned to the States. "I don't
discriminate against non-Japanese," says Nagato. "I teach them the same as I
teach the Japanese. In all, six of my students have passed the godan (fifth
dan) test from Hatsumi Sensei". Nagato earns his living as a honetzugi ( bone
setter ), just like Hatsumi, and lives happily in Saitiama ken with his wife
Mamiko and two sons, Yoshiki and Yuhe.
Nagato doesn't feel very special being graded as a ninth dan "I have to feel
the responsibility, but there' s nothing. Maybe some responsibility, but I
still have so much to learn. I must stick to Hatsumi Sensei and hold onto him
to learn all that I can learn. Okay, so I have a little feeling of what it
means to be a martial artist, not much more."
Nagato wasn't happy when his fellow student Tsunehisa (now Shoto) Tanemura
left the school of Bujinkan to form his own Genbukan system. "I was sad, but
he had a different way of thinking; different ethics. Hatsumi Sensei thought
differently."
Nagato does not foresee a big change in ninjutsu in the future. "We don't
consider ninjutsu to be the ultimate art," says Nagato. "Budo, the martial
arts world, is the essence of everything. It's all still alive and we want to
keep it alive. We look for understanding, for peaceful life and happiness.
Budo is good for the country, and for the whole universe."
This interview was done by Ilan Gattegno in 1988.
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