September 1995: Put Your Heart and Soul into Consistent
Training
by Soke Masaaki Hatsumi
This translation of Soke Masaaki Hatsumi's work is from the philosophy book
"Hiden Togakure Ryu Ninpo" or "Secrets of Togakure Ryu Ninpo". This translation
has not been directly approved by Dr. Hatsumi, and must therefore not be seen as
representing his views correctly. It is purely an interpretation by a third party
(the translator). If it is, nevertheless, of some benefit to your studies, so
much the better. However, in order to understand Dr. Hatsumi's current thoughts
accurately, there is no other way than studying from items which have received
his approval, such as the Densho ("Sanmyaku") and various books or videos, and
encountering him directly at Tai Kai. (As to whether an item has been approved or
not, you should contact Hombu Dojo in Noda, Japan; in Japanese, as for all
correspondence.) Moreover, any time this translation is passed on, in whatever
form, it must be accompanied by this note. Furthermore, it is expressly forbidden
to use this translation for any financial gain without obtaining prior written
approval from Hombu Dojo. Liz maryland
In order to master any form of art, whether martial or aesthetic, consistent
everyday training is crucial. It is well known that in the world of traditional
Japanese Kabuki theater. The actors who portray female characters on stage (there
are no actresses in Kabuki; male actors alone take all roles) maintain their
feminine mannerisms even in daily life off stage.
What is the appropriate attitude for martial artists concerning consistent
training? Bufu-Ikkan, or "consistent warrior living", is my only advice.
Naturally, this is all I can say no matter how the question is put to me Do not
give up. Keep going!
From my earliest years in the world of martial training, it was my goal to be
truly good. In striving to attain that goal, I trained in the physical techniques
three times as hard as a normal student. I devoted three times the normal mental
effort in coming to a living understanding of the martial arts. I invested three
times the normal amount of money that most students would spend in order to
obtain the insights I needed. I trained fanatically and consistently and I became
strong. As I found myself attaining the strength I had sought, however, I
curiously enough came to discover a subtle new form of weakness in myself. I
searched diligently for the roots of this suspicion of weakness. But I could
never seem to get to the bottom of the question. I was truly at a loss.
Nonetheless, I firmly believed in the validity of the teachings of the martial
tradition behind my art, so I was sure that my continuing consistent training
would eventually lead me to the enlightenment I sought. I just kept on training.
I kept going.
One day, an invisible insidious enemy attacked, and I found myself struggling
against a serious illness that had set in against my body. I knew in my heart
that I faced a survival situation so dangerous that the outcome would literally
be life or death. Simply standing up straight required a huge amount of energy.
At times, my vision failed completely. I struggled to regain my health for five
years. Sometimes, the demands were so great that I found myself thinking that
death would be a much easier route than living.
In the depths of that dark period, I discovered that my previous strength, the
vital and virile martial power that I worked so hard to cultivate, was indeed a
false strength. My previous power depended entirely on my being in peak health.
When my health began to decline, my power began to vanish with it. Power that is
at best conditional or temporary is not true power at all. It is merely the
illusion of power.
Despite my weakened condition, I kept going with my training in the warrior arts.
I never quit. Slowly, I began to regain my health. Eventually I recovered from
the illness that drained me so for five years of my life. Looking back on my
period of illness and recovery, I came to realize that I had consistently kept at
my training the whole way through, no matter what my condition, no matter how
weak or drained I had felt.
From this experience, I learned the value of consistent training adjusting the
methods, pace, and focus to fit my body and mind no matter what the state of my
mental and physical health. I now know that there is in consistent training a
series of developmental stages appropriate for all the stages of life. There is
an appropriate way to train when you are young and vigorous. There is an
appropriate way to train as you enter the advanced years of your life. There is
an appropriate way to train when you are ill, and there is an appropriate way to
train when it seems that no training will fit. Even facing death at the close of
life is a form of training; most people get caught between their fear of death
and their hopes for immortality. Accepting the inevitability of death as
something natural at that moment is a form of training for the warrior.
Consistent training, ever fitting the goal to the means at hand, is the only way
to cultivate the true strength that transcends all limitations.
Five years of struggling with illness led me to discard any concern with
comparative values of what others would conventionally brand as strength as
opposed to weakness, speed as opposed to slowness. In the grander scheme of
things, from the higher divine levels of vision, the ultimate form of strength is
a totally relative concept. I learned the power of "natural and fitting
technique" a higher form of strength that transcends the conventional strength of
raw physical power or even mental willpower that is so often the only thing
taught in conventional martial arts schools.
In your training career, there may come a time when you find yourself frustrated
and disgusted with what you feel to be your own dullness. You just can not get
the techniques right. Your training just does not seem to go the way you want it
to. I consider this slump period to be absolutely necessary for your own growth.
Your sense of frustration and constriction leads you to the breakthrough you need
for advancement. Like a snake that struggles to shed itŐs skin so that it can
grow larger, the martial artist too must pass these inevitable stages of molting
for growth.
This molting period can be a dangerous time for the unwary, however. Because of
the frustration experienced in working through your current training barrier, no
matter what it is, you can become an easy victim to the seductive allure of all
the other martial technique systems that suddenly seem to appear to be so much
more desirable or more glamorous than your own system. Just as one child is
always more impressed with the toys of another child, it is a common weakness for
students of our art to reach a point of "tough going" and then suddenly look to
the other martial arts as a form of distraction. Anything and everything else
suddenly looks so good.
Use your commitment to consistency to work through these difficult periods. Keep
going. On the other hand, however, it is of course necessary to realize that not
everyone is destined to be a master of this art. You have to know the difference
between working through a difficult period as part of the growth process, and
struggling pointlessly with a hopeless goal. If your feelings of frustration and
constriction stretch out for ten years, it is perhaps wise to re-evaluate your
commitments. Perhaps this is not the art for you after all.
Train from the beginning with a sincere heart directed by proper motivation. It
is pointless to work at the martial arts with the mere intention of collecting as
many techniques as possible. This form of consistent concentration of course
lacks the counter balance of the power of observation. Training for experience
without awareness will only produce a martial arts scholar one who is no more
than a walking technique catalog with no real heart.
Contributed by Shidoshi Mats Hjelm, Sweden. Mats has been practicing ninpo
taijutsu for the past ten years, has founded several Martial Arts BBSes, and has
his own ninpo newsletter. He is accepting articles for his NinZine and may be
contacted via E-mail: helmet@algonet.se or visit his web page:
http://aristotle.se/~helmet/bujinkan.html.
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